Title: History of Italian Renaissance art : painting, sculpture, architecture
Author: Hartt, Frederick.
☀►[ Dewey Class Number := 709.45 HAR ]
☀►Subject Term: Art, Italian ; Art, Renaissance -- Italy.
Added Author: Wilkins, David G.
Edition: 7th ed.
Publication Information: Upper Saddle River :
Prentice Hall, c2011.
Publisher: Prentice Hall,
Format: Regular print
☀►Contents:
Italy and Italian art --
The late Middle Ages --
Duecento art in Tuscany and Rome --
Florentine art of the early trecento --
Sienese art of the early trecento --
Later Gothic art in Tuscany and northern Italy --
The quattrocento --
The Renaissance begins : architecture --
Transitions in Tuscan sculpture --
Transitions in Florentine painting --
The heritage of Masaccio : Fra Angelico and Fra Filippo Lippi --
Florentine architecture and sculpture : c. 1430-1455 --
Florentine painting at mid-century --
Art in Florence under the Medici I --
Art in Florence under the Medici II --
The Renaissance in central Italy --
Gothic and Renaissance in Venice and northern Italy --
The cinquecento --
The origins of the high Renaissance --
The high Renaissance in Rome --
New developments, c. 1520-50 --
High and late Renaissance in Venice and on the mainland --
The late sixteenth century
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Physical Description: 736 p. : ill. (chiefly col.), col. maps ; 30 cm.
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☀► Table of Contents
Preface
Chapter 1 Prelude: Italy and Italian Artp. 16
Representing This Worldp. 17
The Role of Antiquityp. 18
The Citiesp. 20
The Guilds and the Status of the Artistp. 24
The Artist at Workp. 25
The Products of the Painter's Bottegap. 25
The Practice of Drawingp. 27
The Practice of Paintingp. 28
The Practice of Sculpturep. 33
The Practice of Architecturep. 34
Printmaking in the Renaissancep. 36
The Practice of Historyp. 36
The Practice of Art History: Giorgio Vasarip. 37
Part One The Late Middle Ages
Chapter 2 Duecento Art in Tuscany and Romep. 40
Painting in Pisap. 42
Painting in Luccap. 44
Painting in Florencep. 45
Painting in Romep. 53
Sculpturep. 57
Architecturep. 64
Chapter 3 Florentine Art of the Early Trecentop. 72
Giottop. 73
Florentine Painters after Giottop. 95
Sculpturep. 100
Chapter 4 Sienese Art of the Early Trecentop. 102
Ducciop. 103
Simone Martinip. 110
Pietro Lorenzettip. 119
Ambrogio Lorenzettip. 122
Orvieto Cathedralp. 128
The Master of the Triumph of Deathp. 134
Chapter 5 Later Gothic Art in Tuscany and Northern Italyp. 136
Mid-Trecento Art in Florencep. 138
Late Gothic Painting and the International Stylep. 145
Painting and Sculpture in Northern Italyp. 149
Part Two The Quattrocento
Chapter 6 The Renaissance Begins: Architecturep. 158
The Role of the Medici Familyp. 160
Filippo Brunelleschi and Linear Perspectivep. 161
The Dome of Florence Cathedralp. 164
The Ospedale degli Innocentip. 168
Brunelleschi's Sacristy for San Lorenzop. 170
San Lorenzo and Santo Spiritop. 170
Santa Maria degli Angelip. 173
The Pazzi Chapelp. 174
The Medici Palace and Michelozzi di Bartolommeop. 174
Chapter 7 Transitions in Tuscan Sculpturep. 180
The Competition Panelsp. 181
Ghiberti to 1425p. 183
Donatello to 1420p. 188
Nanni di Bancop. 193
Donatello (c. 1420 to c. 1435)p. 196
Jacopo della Querciap. 199
Chapter 8 Transitions in Florentine Paintingp. 202
Gentile da Fabrianop. 203
Masolino and Masacciop. 206
Popular Devotion and Printsp. 220
Chapter 9 The Heritage of Masaccio: Fra Angelico aAnd Fra Filippo Lippip. 222
Fra Angelicop. 224
Fra Filippo Lippip. 232
Chapter 10 Florentine Architecture and Sculpture, c. 1430âÇô1455p. 238
Albertip. 239
Ghiberti after 1425p. 249
Luca della Robbiap. 251
Donatello (c. 1433 to c. 1455)p. 254
Florentine Tomb Sculpturep. 261
The Portrait Bustp. 261
Chapter 11 Florentine Painting At Mid-Centuryp. 262
Paolo Uccellop. 263
Domenico Venezianop. 267
Andrea del Castagnop. 271
Piero della Francescap. 278
Chapter 12 Art in Florence Under the Medici Ip. 294
Donatello after 1453p. 298
Desiderio da Settignanop. 302
The Chapel of the Cardinal of Portugalp. 303
Benedetto and Giuliano da Maianop. 306
Giuliano da Sangallop. 309
Benozzo Gozzolip. 312
Baldovinetti and Pesellinop. 313
Chapter 13 Art in Florence Under the Medici IIp. 318
Antonio del Pollaiuolop. 320
Andrea del Verrocchiop. 327
Renaissance Cassonip. 331
Alessandro Botticellip. 332
Filippino Lippip. 347
Domenico del Ghirlandaiop. 350
Piero di Cosimop. 356
Chapter 14 The Renaissance in Central Italyp. 358
Sienap. 359
Sassettap. 361
Domenico di Bartolop. 362
Matteo di Giovannip. 364
Vecchiettap. 364
Francesco di Giorgiop. 365
Neroccio de' Landip. 367
Perugiap. 369
Peruginop. 369
Pintoricchiop. 374
Melozzo da Forlip. 376
The Laurana Brothers and Urbinop. 378
Naplesp. 384
Luca Signorellip. 385
Chapter 15 Gothic and Renaissance in Venice and Northern Italyp. 388
Pisanellop. 389
Early Quattrocento Art and Architecture in Venicep. 393
Jacopo Bellinip. 395
Andrea Mantegnap. 397
Mantegna and Isabella d'Estep. 408
Gentile Bellinip. 411
Antonello da Messinap. 412
Giovanni Bellinip. 415
Vittore Carpacciop. 421
Carlo Crivellip. 425
Venetian Fabricsp. 426
Venetian Publishingp. 426
Late Quattrocento Sculpture and Architecture in Venicep. 428
Late Quattrocento Art in Milanp. 433
Vincenzo Foppap. 433
Filaretep. 433
Quattrocento Painting in Ferrarap. 434
North Italian Terra-Cotta Sculpturep. 440
Part Three The Cinquecento
Chapter 16 The Origins of the High Renaissancep. 442
Leonardo da Vincip. 443
Michelangelo to 1505p. 469
Raphael in Perugia and Florencep. 480
Fra Bartolommeop. 484
Chapter 17 The High Renaissance in Romep. 486
Donato Bramantep. 489
Michelangelo 1505 to 1516p. 496
Raphael in Romep. 515
Chapter 18 New Developments c. 1520âÇô50p. 542
Michelangelo 1516 to 1533p. 544
Andrea del Sartop. 555
Pontormop. 558
Rosso Fiorentinop. 563
Perino del Vagap. 565
Domenico Beccafumip. 567
Properzia de' Rossip. 570
Correggiop. 572
Parmigianinop. 577
Pordenonep. 580
Antonio da Sangallo the Elder and the Youngerp. 581
Baldassare Peruzzip. 586
Giulio Romanop. 586
Chapter 19 High and Late Renaissance in Venice and on the Mainlandp. 590
Giorgionep. 592
Titianp. 596
Lorenzo Lottop. 613
Tullio Lombardop. 616
Painting in Northern Italyp. 617
Tintorettop. 624
Paolo Veronesep. 632
Jacopo Bassanop. 639
Michele Sanmichelip. 639
Jacopo Sansovinop. 641
Andrea Palladiop. 643
Alessandro Vittoriap. 647
Chapter 20 The Late Sixteenth Centuryp. 648
Michelangelo after 1534p. 649
Art at the Medici Courtp. 660
Benvenuto Cellinip. 662
Bartolommeo Ammanatip. 665
Giovanni Bolognap. 667
Agnolo Bronzino and Francesco Salviatip. 669
Later Ceramic Productionp. 674
Giorgio Vasari and the Studiolop. 676
Developments Elsewherep. 681
Giuseppe Arcimboldop. 681
Lavinia Fontanap. 682
Giacomo da Vignola and Giacomo della Portap. 683
Federico Baroccip. 687
Fede Galiziap. 689
Caravaggiop. 689
Sixtus V and the Urban Plan of Romep. 691
Glossaryp. 692
Bibliographyp. 700
Locating Works of Renaissance Artp. 715
Indexp. 716
Photo Creditsp. 735
Literary Credits 736
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☀► Summary
For survey courses in Italian Renaissance art.
A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working.
History of Italian Renaissance Art , Seventh Edition, brings you an updated understanding of this pivotal period as it incorporates new research and current art historical thinking, while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins' incisive revisions keep the book fresh and up-to-date.
☀►Author Notes
The late Frederick Hartt was one of the most distinguished art historians of the twentieth century. A student of Berenson, Schapiro, and Friedlaender, he taught for more than fifty years, influencing generations of Renaissance scholars. At the time of his death he was Paul Goodloe McIntire Professor Emeritus of the History of Art at the University of Virginia. He was a Knight of the Crown of Italy, a Knight Officer of the Order of Merit of the Italian Republic, an honorary citizen of Florence, and an honorary member of the Academy of the Arts of Design, Florence, a society whose charter members included Michelangelo and the Grand Duke Cosimo I de' Medici.
Hartt authored, among other works, Florentine Art under Fire (1949); Botticelli (1952); Giulio Romano (1958); Love in Baroque Art (1964); The Chapel of the Cardinal of Portugal (1964); three volumes on the painting, sculpture, and drawings of Michelangelo (1964, 1969, 1971); Donatello, Prophet of Modern Vision (1974); Michelangelo's Three Pietàs (1975); and the monumental Art: A History o f Painting, Sculpture, Architecture, now in its fourth edition (1993).
David G . Wilkins is professor emeritus of the history of art and architecture at the University of Pittsburgh and former chair of the department. He has also served on the faculties of the University of Michigan in Florence and the Semester at Sea Program. He is author of Donatello (1984, with Bonnie A. Bennett); Maso di Banco: A Florentine Artist of the Early Trecento (1985); The Illustrated Bartsch: "Pre-Rembrandt Etchers," vol. 53 (1985, with Kahren Arbitman); A History o f the Duquesne Club (1989, with Mark Brown and Lu Donnelly); Art Past/Art Present, a broad survey of the history of art (fifth edition, 2005, with Bernard Schultz and Katheryn M. Linduff); and The Art of the Duquesne Club (2001). He was the revising author for the fourth and fifth editions of History of Italian Renaissance Art: Painting, Sculpture, and Architecture (1994, 2003) and co-editor of The Search for a Patron in the Middle Ages and the Renaissance (1996, with Rebecca L. Wilkins) and Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy (2001 with Sheryl E. Reiss). He was editor of The Collins Big Book of Art (2005). In 2005 he also received the College Art Association's national award for Distinguished Teaching in Art History.
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FAQs
What are the 4 themes of Renaissance art? ›
- Individualism.
- Rationalism.
- Secularism.
- Humanism.
The four main Renaissance artists were: Donatello, Raphael, Michelangelo and Leonardo Da Vinci. Donatello lived during the last decades of the Middle Ages and the first decades of the Renaissance. He was primarily known as a sculptor. Raphael was both a painter and architect.
Who were the 5 great artists of the High Renaissance? ›- Leonardo da Vinci (1452-1519) Italian.
- Raphael (1483-1520) Italian.
- Michelangelo (1475-1564) Italian.
- Giovanni Bellini (1430-1516)
- Giorgione (1477-1501)
- Titian (1488-1576) Italian.
- Lorenzo Lotto (1480-1556) Italian.
- Donato Bramante (1444-1514) Italian architect.
There were three principal painting techniques during the Renaissance: fresco, tempera, and oils.
What are any three 3 characteristic features of Italian Renaissance art? ›A few main themes that can guide your discussion of all the major Italian Renaissance works include: The revival of classical styles and ideas (specifically humanism), return to the naturalistic style (3D objects and space), and the rising status of the individual (both artist and patron).
Who were the 3 main Renaissance artists? ›Three great masters–Leonardo da Vinci, Michelangelo and Raphael–dominated the period known as the High Renaissance, which lasted roughly from the early 1490s until the sack of Rome by the troops of the Holy Roman Emperor Charles V of Spain in 1527.
What influenced Renaissance art? ›Renaissance art, painting, sculpture, architecture, music, and literature produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man.
How do you identify Renaissance art? ›Renaissance artists reinvented the way paintings were constructed, by using new techniques, such as linear perspective, which gave a sense of depth. They understood that objects and figures seem smaller as they recede into the space, and that's how they depicted them on a flat surface.
What are the 4 values of the Renaissance? ›THE RENAISSANCE: Important values & ideas
Among them were humanism, individualism, skepticism, well-roundedness, secularism, classicism and patronage. These values were reflected in buildings, writing, painting, sculpture, and science. Every aspect of their lives!
- Rebirth of Naturalism.
- Perspective and Depth in Art.
- Create Non Religious Themes.
- Privately Owned Art.
- Advancements in new technologies such as printing and gunpowder.
- Shift in balance of power among Europe's ruling elite.
What are the 3 major themes of the Renaissance? ›
The Renaissance, Italian for “rebirth”, was a cultural movement that focused on humanism, secularism, and individualism.
What are the 4 main categories of art styles? ›In this website, we'll explore four of the main styles that I work in: photorealism, abstract, whimsical, and composite (combined styles). In time, I will add more information about other artistic styles, but for now we'll focus on the four styles that I am most familiar with, in both theory and practice.